Yearning for Wonderland
I am so excited because I got to choose this week’s Five Sentence Fiction inspiration word at Lillie McFerrin Writes.
So I picked Yearning. If you weren’t aware, it’s one of my very favorite words and the constant inspiration for this blog. Of course I had to enter!
Despite the fact that I am short on sleep, I scribbled my entry on a tiny square of paper at work, folded it up and smuggled it home to share with you. Be sure to go read the other ‘Yearning’ entries and maybe enter yourself!
The room was strangely still — even the dove loose in the rafters was hushed — and white muslin curtains flapped loose in the breeze. A thick rope was knotted tight round the carved mahogany bedpost; his eye traced it across the floor and over the edge of the window sill.
Her pillow, plumped up on her neatly made bed, had a note pinned to the satin coverlet: ‘I couldn’t wait any more.’
Far below, he heard departing hoof beats and watched as she rode his horse away.
“Fair Rosamund” (detail) by John William Waterhouse
However, I have decided this is a cowardly stance. In support of my awesome and amazing writing friends, Lillie McFerrin, Daniel Swensen, Angie Richmond and Angela Goff, I am entering my tiny, humble piece-ling into their Super Cool Blog Hop Contest. In 300 words or less, write a piece of flash fiction, poetry or song using the photo prompt below. You can go here for the details. Below is my wee entry. *covers eyes* Okay, now you can read it.
I’m so thrilled to be writing for Yearning For Wonderland! I hope to cast off the crass exterior of my Dasia Has A Blog voice to show my more sensitive, fancy side.
Warning: this post is more pictures than words. This is me practicing being demure and soft-spoken, and is in no way because I spent the whole afternoon googling fancy hats instead of actually writing stuff about them.
- Your hat may be overly embellished if every picnic is interrupted by the sharp-beaked attacks of magpies and crows.
- Your hat may be too complicated if it could double as a wedding centerpiece, or if it compels you to join it in couple’s counseling.
- Your hat may be ahead of its time if it requires batteries or comes with a fog machine to instantly create romantic moments on deserted moors.
- Your hat may be a tad old-fashioned if it tells stories of walking to school barefoot through the snow.
- Your hat might possibly be too large if smaller hats begin to orbit your hat.
I sat in the molded red plastic chair in the hallway, staring at my bare feet. I tried wiggling one big toe and then the other. They wiggled appropriately, but I still sort of wished for a magazine or something, if I were able to read.
“NEXT!” called out the voice, booming down the empty corridor. I looked to my left and my right and saw no one, so I hopped down and toddled into the office. It was full of bookshelves filled with musty books. The dust motes caught the sunlight and sparkled, a legion of fireflies.
“Name?” came the voice again. I tried to peer over the edge of the desk to see the voice. All I could see was a podge of thinning brown hair, combed over neatly to cover a burgeoning bald spot.
“Um, don’t have one yet,” said I, tremulously.
“I know that,” was the impatient reply, “What do you wish to be called?”
“How about Brunhilde?”
“Surely you’re joking,” the bald spot bobbed and weaved as he turned another page of the massive book in front of him,”Best to choose a nice inoffensive name, like Sarah or Ellen. That will give you a lot more choices.”
“I think they should pick my name,” I offered, doing my best to keep the sulky out of my voice. “I mean, I hope I can find a pair with good taste.”
“What else?” His voice was disinterested, rather the aural equivalent of picking one’s nose and flicking it at the wall.
“Well, I’d like it if they were smart people. The kind that you could talk to about Shakespeare and Abraham Lincoln and…um, paradigms.”
“Don’t pretend you know what any of those things are yet. What else?”
I crawled up into the arm chair across from the desk, but it was still a low squishy well of leather. I did manage to see the voice’s eyebrows, though; they were like ungroomed caterpillars and rather expressive.
“They should be funny. Not take each other too seriously. Maybe they could sing while they vacuum. I’d like it if they could laugh at themselves and at me too. Maybe the dad could teach me how to make funny faces in the mirror and how to dance like he’s starring in a Cecil B. DeMille musical. Maybe the mom could show me how to mummify a Barbie Doll and how to direct a room full of unruly people into doing what you need them to do.” I piped up, in a voice quite unlike my own, “It’s called ACT-ING!”
The caterpillars crawled across the furrows of his brow to a quizzical position, “This seems like a fairly specific request,” he said, rather suspiciously, “You haven’t been peeping in The Book, have you?”
“No sir,” I said, meek, hands folded in my lap in the primmest fashion.
He sighed and flipped a few more pages, the fuzzy wiggles of his brow descending towards the type. “There is one possibility here,” he said dubiously, “There’s a couple here that fulfills your requirements.”
“Really?” I perked up instantly, “Will they take me on trips to museums and nature trails and force-screen awful science fiction movies and black and white classics? Will they love me and help me, even when it’s questionable that I deserve either? Will they put me to sleep with Booshky Cream and sing You are My Sunshine and Side by Side and The Monkey Song? Will they make me cry when they sing On Top of Spaghetti with a fatal ending? Will they encourage me to write and sing and dance and do all manner of things which are not profitable in the world?”
The book slammed shut indignantly, “You, miss, have been reading The Book! How would you possibly know all that?”
I gave the only answer I could: “Because it’s my destiny.”
Finally, the voice and the bald spot and the eyebrows worked in conjunction and almost looked and sounded as though they were smiling, “Well. Well. Door 11C.”
“Thank you!” I chirped and wandered down the empty hall till I came to 11C. I opened the door and walked into the great white light and towards the parents I was meant to be with.
This post is dedicated to my parents, on their anniversary. I’m not certain how I ended up with wonderful them, but this seems as feasible an explanation as any.
Fate, I owe you one.
|by Artist 3001|
Article first published as DVD Review: Trimpin: The Sound of Invention on Blogcritics.
Have you ever wondered what magic sounds like? It might sound a little like the music of Trimpin: cacophonic clicks and wheezes and zoops intermingled with ethereal angel tones, sonorous shimmers in unexpected audio combinations.
“I didn’t want to be a technician or an engineer or just a musician or a composer. The interest was laying in between,” says Trimpin in the opening lines of this enchanting documentary, Trimpin: The Sound of Invention.
Trimpin, who goes by only his last name, does not look like the popular conception of an artist, more like the eccentric, fae-touched inventor in a German folktale. He favors cardigans and plaid shirts and is balding, bearded and bespectacled, with a heavily German-accented voice. He has no cell phone or website. He does not use social media. Despite no agent or gallery representation, his work is seen in museums and public spaces around the world. He is like Mozart crossed with Doc Brown from Back to the Future.
Trimpin’s studio is a combination of Wonderland, Oz and a junk heap. Nothing is quite as it seems; everything is repurposed. Rusty bits and bobs and Elvis posters pile up alongside a typewriter that plays like a piano. His creations source found objects to manifest magic. A room full of hanging wooden Dutch shoes (“Klompen”) becomes a clattering, clicking fusillade of rhythmic moments.
|“Klompen” by Trimpin|
With little editorializing, director Peter Esmonde allows Trimpin to tell his story. Trimpin explains he left Germany in search of affordable junk…which led him to America, the land of the disposable. Trimpin talks of his childhood experimentation in the Black Forest, land of cuckoo clocks, “as a kid I was always exposed to these kind of gadgets that could make music and move.”
Much of Trimpin: The Sound of Invention follows a collaborative project with famed contemporary classical music group, The Kronos Quartet. There’s much fun in watching these seasoned musicians face instruments built out of disemboweled cellos and plastic guitars. Trimpin’s graphical scores, magnificent colored graph and composition paper, look more like architectural plans than a musical staff.
Trimpin was not always a critical darling. During the documentary, he pulls out file folders full of rejection letters. Ultimately, he was a recipient of MacArthur Genius Grant, a tribute to his persistence when the world had no use for his art.
Trimpin himself is endearingly whimsical, riding a giant tricycle and playing a one-man accordian band. He is unselfconsciously playful, much like the children who interact with his sculptures and inventions. One little boy dances to Trimpin’s music the way we all should dance – like no one is watching.
Trimpin: The Sound of Invention culminates with the collaborative concert with The Kronos Quartet, a melange of music, mayhem and magnificence that deconstructs the idea of performance art and then reassembles it. Just like Trimpin would do.
Release date: 8/30/11